In the Heat of the Night is a movie with a very strong and powerful central story – unfortunately surrounded by a lot of mediocrity. In the middle are the two outstanding performances by Rod Steiger and Sidney Poitier. Both actors play the opposite spectrum of human characters and Steiger’s loud and sometimes slightly exaggerated work contrasts wonderfully with Poitier’s understated and restrained performance. The dynamic between these two actors is the motor that keeps the movie going and turns into one of the most interesting relationships ever seen on the screen. It’s easy to see why Rod Steiger won the Oscar since he gives a very domineering performance and his character is also given the bigger arc (that scene in the living room is one of the highpoints of his career) but Sidney Poitier is the unsung hero of this piece as he provides the connection to the audience and has to create a character that is neither too perfect but also clearly superior to his surroundings. So, it’s the development of the relationship between this racist and loud cop from the South and this black, intelligent man from the North which is the main reason why In the Heat of the Night works as well as it does. From their first confrontation scenes to their last goodbye at the train station, both actors perfectly handle their material without overdoing the dislike or the sentiments that could have destroyed the realism. In the Heat of the Night is a movie that seems to combine two stories in one – one about racism and one about a murder. Both stories are supposed to be intertwined but they actually vary in their quality. In fact, the movie excels in the scenes that hint at the open or hidden racism in the town while the search for the murderer always feels like a last-minute attempt to spice things up. The movie wants to be a traditional ‘Whodunit?` but it gives no time to a clear presentation of the case, to suspects or motives and because of that the end feels rushed and forced into the storyline. During the second half of the movie, when the attentions shifts a little more over to the question of possible suspects, the movie loses a lot of its energy and fascination. Apart from Lee Grant who gives a very moving and memorable performance as the widow of the murdered man, the whole supporting cast from In the Heat of the Night also brings the movie down. I am willing to believe that stereotypical people like them truly exist but it’s the task of a movie to present a more balanced picture. All the cops from the police station make Officer Wiggum and his team from The Simpsons (I can’t believe I am mentioning The Simpsons for the second time in this ranking now) look like true professionals while the various suspects are incredibly over-the-top. In the Heat of the Night wants to be a movie about a murder case and the role of racism but ends up as movie about the role of racism disturbed by an unsatisfying murder case.
Right from the beginning, the use of music and cinematography seems to indicate something very modern but the feeling of the ‘60s’ that dominates the film gives it a rather dated tone from today’s point-of-view. Yes, In the Heat of the Night has many flaws but at the same time it managing to be an incredibly powerful (who can forget the scene when Poitier slaps the suspect?) and gripping experience.
Title: Number 46: In the Heat of the Night (Best Picture Ranking)
Rating: 100% based on 99998 ratings. 5 user reviews.
1:27 AM
Rating: 100% based on 99998 ratings. 5 user reviews.
1:27 AM
